“And our composer, Scott Majidi, went really deep in drawing out all the tiny little emotions in each scene. He took you on this journey and found little moods between the lines of dialogue.”

- Dir. Luke Cartwright to Krystle Richardson, Writer for Scenestr

“Jayden Rathsam Hüa, who wrote, directed and produced Sushi Noh, said,’It’s so exciting for the film to have won the Most Bonkers Short prize and an audience award at the Brooklyn Horror Film Festival, and very affirming for all involved to see international audiences resonate with our spooky fish-sodden baby!’”

- aftrs.edu.au/news

“Vickery’s vision for Taz vs The Pleb was vibrant and fresh with an honest, humorous heart… The lighting design by Thomas Doyle and sound design by Scott Sohrab Majidi came to the fore in a slow-motion, choreographed montage of Taz and Shontelle pick-pocketing their neighbours for their surveys like a fight sequence performed by music video backup dancers.”

- Written by Nightwritessydney

“Jorde Heys, Sophia Christopher and Scott Majidi enter THE INSIDERS confessional to give insights into AFTRS’ Master of Arts Screen: Music, the way only one who has experienced it first-hand can. They cover everything from the quality of the teaching, curriculum and facilities, to the struggles and challenges they faced, reflecting on the moments that impacted them most as individuals and will go on to shape their craft and careers for years to come.”

- The Insiders | Master of Arts Screen: Music at AFTRS

Scott Sohrab Majidi’s sound and music are wonderfully ambitious, able to bring considerable soulfulness to the meaningful tale being relayed.”

- Suzy Wrong, Writer for Suzy Goes See

“After two postponements due to COVID, it’s incredible that Taz vs The Pleb made it to the stage in the same week as the rights of LGBTQIA+ people were once again debated in parliament by way of the Religious Discrimination Bill. The beauty of this zany story is that it’s here to heal. It gives people whose lives were impacted by the 2017 plebiscite the allies they deserved and still do need and deserve today.”

- Toasting Aussie Theatre

“This year, AFTRS has two hero films on the circuit. Jayden Rathsam’s Sushi Noh went to the Brooklyn Horror Film Festival and won both the Most Bonkers Short award and an Audience Award. True honours, both of them.”

- David Tiley, Writer for Screen Hub

Today we talked with playwright and director Kasia Vickery about why she wrote Taz Vs the Pleb and the personal inspiration underpinning that. Make sure you book tickets if you can to see it at Flight Path Theatre in Sydney.

- Stage Centa

Sushi Noh devolves into madness and pain for all involved parties as Hua’s fantastical script deteriorates into horror, and visually manifests the style of Kabuki theater… This was probably the strongest short that the Australian shorts block could end on, with such an intense final image that I have not been able to get it out of my head. Sushi Noh? More like Sushi yes!”

- Brendan Jesus, Writer at Horror Obsessive

“The whole team, including Production Supervisor Brendon Taylor, Production Designer Kate Beere, Sound Designer & Composition Scott Sohrab Majidi and Lighting Designer Thomas Doyle, is to be commended.”

- Mark Pigott, Writer for Sydney Arts Guide

“Kate Beere’s production design was effective, effervescent and well suited to the high energy mood of the production. This, in companion with lighting design by Thomas Doyle and well measured, original and exciting sound design and compositions from Scott Sohrab Majidi framed the action of the evening in a way uniform with the callings of the text.”

- Declan Dowling, Writer for SydneyScoop

Rogue Projects returns to theatres in 2022 with Taz vs The Pleb, a world premiere comedy from debut Writer/Director Kasia Vickery. The production will run at Flight Path Theatre from February 9th to 19th. Catch LOTL chatting with Kasia on what motivated the play.

- LOTL Media

“Mt Pleasant actor Charlotte Weber and Booragoon student filmmaker and composer Scott Majidi were both involved in the project and said its success came as no surprise.”

- Josh Zimmerman, Writer at Melville Gazette